Inside Faye Toogood’s Hampshire Manor That Reimagines English Country Style

IN 2017, WHEN the British designer Faye Toogood, already the mother of one, learned that she was pregnant with twins, she found herself craving more space and privacy than life in central London allowed. And so, along with her husband, the broadcaster and writer Matt Gibberd, and their eldest daughter, Indigo, now 12, she moved to the small city of Winchester, in Hampshire, where she’d spent her teens. The family, which soon included the twins Etta and Wren, now 7, lived first in a rental cottage, then in a Victorian garden flat down the road from Toogood’s parents. Finally, in 2020 they settled into a two-story Victorian outside of town, eight miles east of Winchester’s Norman Gothic cathedral. A country manor whose stucco facade is interrupted by an elegant arched loggia, the house is a departure from the spare, conceptual spaces that the couple always inhabited in London. And, they insist, it was never their intention to live on such a grand scale: The six-bedroom house encompasses 6,500 square feet and sits on five and a half acres. But Toogood, 48 — who, since establishing her namesake studio in 2008, has become well known for her sculptural furniture, modern decorative objects, workwear-inspired clothing and minimalist residential interiors — often leans heavily on intuition as a designer and took a similar approach to house hunting. “This is the house,” she says, “that invited us in.”

Built in the late 19th century, the slate-roofed mansion sits high above the main road, its crescent-shaped, south-facing lawn giving way to a patchwork of fields and grassland that slope down to the River Itchen on the horizon. It was the picturesque setting that drew Gibberd, 47 — who is the grandson of the English architect and town planner Frederick Gibberd — to the property. “The view,” he points out, “is the only thing you can’t change.” In remaking the home to suit her family, Toogood also worked from the outside in, first repainting the pistachio exterior a light taupe and then adorning the frontage with pale pink climbing roses. Inside, the goal was to soften the space, which had been stripped of its original finishes by the previous owners and, says Toogood, “lit up like a football stadium” with recessed fixtures, which they removed. After restoring the moldings and fireplaces — which had been covered up, layered in paint or fitted with modern wood burners — they installed traditional Victorian cast-iron radiators in many rooms, refurbished the sash windows and renovated the kitchen, adding internal glass windows and doors, an Aga stove, Plain English cabinetry and Derbyshire fossil stone countertops.

WHEN FRIENDS FROM London visit for the first time, the couple say, they’re often taken aback, having expected to find the pared-down interiors that Toogood is best known for designing and that Gibberd has championed with the Modern House, the London-based real estate agency-cum-digital magazine that he co-founded in 2011. Instead they’re met with Pierre Frey floral curtains in the dining room, Jean Monro rose fabric on the primary bedroom headboard and botanical chintz armchairs in the sitting room. But Toogood points out that the décor is less a departure than a return: She and Gibberd first met working at The World of Interiors, where they developed an appreciation for print and pattern under the tutelage of the magazine’s founding editor, Minn Hogg, an affirmed maximalist.